for the Creatives, for the Writers, Showcasing other Creatives

Guest Post: How Ghostwriting is Hurting the Book World

Olivia J has agreed to share her concerns about ghostwriting here, and you can check out my defense of ghostwriting on her site. What a fun collaboration ❤ Read the posts, then join the convo 🙂

“The role of a writer is not to say what we can all say, but what we are unable to say,” -Anais Nin
 
The picture that started it all:
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This launched me and Amy L Sauder into a debate on ghostwriters, so here we are. 

Ghostwriting, or, more generally, ghosting, is not a new concept in the art world. Even Mozart himself was paid to ghostwrite music for wealthier, more famous men of his time. This process involves Person A creating a work, or even doing a varying amount of collaborating on a work with Person B, but then Person B getting credit. Sometimes this includes Person A’s name in smaller print on the front of the book, or not being included at all. Regardless, ghostwriters are paid for their work.

However, I have some criticisms, as per usual.

(For clarity, I’m going to be talking about ghostwriting concerning books.)

1. Exploitation of the Ghostwriter

Sure, ghostwriters consent to what they are doing. However, it still takes an amount of . . . castration to get very little or no credit on something you worked on. It strips away the integrity of the author. By no means am I talking about truly collaborative works, where two authors write a book together because that’s an entirely different process than ghostwriting. 

How ghostwriting exploits the author is that it takes away the beautiful creative control of the author: it strips the author of what they do best. By having a shadow, by having someone to always answer to, this confines the author. It confines the author even further because these authors sign contracts to write so many books for someone, or to have certain requirements when they write. There’s nothing more hellish that I can think of than putting a cap on the creativity of writing, by controlling and stifling an author. 

Don’t get me wrong, ghostwriting can be a way to launch the author into the publishing sphere, but rarely do I believe that that’s all an author should aspire to be. 

2. All About The Money

The problem is that by slapping a popular name on the cover, it appeals to the pervasive consumerism and fame obsession in this society. By having ghostwriters, it allows famous people to sell books, regardless of whether they are telling good stories. It only adds to the tasteless, bland array of fiction. James Patterson has so many books out because people pick the book up with his name on it and expect the same thing. Name recognition or fame should not sell books, even though publishing has become a toxic industry. 

FullSizeRender (10)The reason that authors like Clive Cussler, Tom Clancy, etc. use ghostwriters is because of the high demand for their books. Or, rather, the types of stories they tell. This only indicates that these books sell because they have their names on them, not because of the title, cover art, or actual content inside, which is absolutely despicable. The promotion of ghostwriters only promotes writing as a business, not an art form. There should be a happy medium between the business of bookselling and writing as an art, but ghostwriters are not the way to achieve that goal. In fact, ghostwriters only push the flow further into the toxic business sphere. 

3. Cheapening of the Craft

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Sure, everyone can write a book, but maybe not well. This is not to discourage anyone from writing a book if they so please. But what ghostwriting does is that it cuts out a significant chunk of the struggle, the art of writing. 

People like Kendall and Kylie Jenner, Zoe Sugg, and other celebrities don’t write a significant chunk of their books; however, they can still claim to be an author of a book. It takes all of the blood, sweat, and tears out of writing. Every ounce of pain, of late nights you’ve spent writing, every blank page, every scrapped draft all becomes for naught because someone who only pitched some ideas for a book is now credited as an author. 

Another problem is that celebrity (fiction) books combine two types of people: writers and non-writers, and this can create disastrous results. Sometimes, what the celebrity/non-writer wants to create or wants to happen isn’t exactly good concerning the objective parts of fiction. This leads to books on the shelves that aren’t the best they can be. Art should always be about making the best the individual can get, always improving. But by allowing half-assed work on the shelves just for money only cheapens writing itself. 

By allowing ghostwriting to populate the scene, it almost degrades the hard work and art that others create, just because someone had enough money.

~

Granted, there are exceptions. Autobiographies are one, because biographies are more of a historical account than a creative work. Biographies, and other nonfiction, don’t conform to the same genre conventions that art or novels do, which is where the problems arise with ghostwriters and books. 

Maybe I would consider ghostwriting, just for the money. But never, under any circumstances, would I make that my career or the only creative work I was writing.

Tread lightly, fellow authors,

~The WordShaker


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Olivia J, The WordShaker is just that: a word shaker. She is a writer, artist, creative extraordinaire, and skilled in the ways of procrastination and being too blunt. She’s going to be a loving wife, mother, published author, speaker, and professional adventurer someday – and whatever else God has in store for her. Olivia has had three short stories published in her high school’s writing journal, and received merit awards for her art in numerous art shows, started and fosters her own creative writing club at her high school, and plans to go to the Savannah College of Art and Design.

Social Media Links:

Instagram: @olivia.j.the.wordshaker

How awesome is this Wordshaker!? 🙂 What do you think about ghostwriting? Does it add or detract to the literary world? Check out my Defense of Ghostwriting on her site (don’t forget to follow her while you’re at it!), then join the convo in the comments below.

for the Bookworms, for the Creatives, for the Writers

Huffington Post Isn’t the Only Problem

Writers (and creatives in general) are up in arms about getting paid.

A Summary of the Discussion thus far:

Kristen Lamb has recently been posting about the problem with Free. She started by urging writers not to diss Amazon while promoting used bookstores, since Amazon actually pays authors and used bookstores do not.

She then speculated on what this Culture of Free is going to do to authors going forward.

Finally, she honed in on Huffington Post, a platform that is proud of not paying authors while making millions off of their work. 

Kristen Lamb isn’t the first or the last to call out Huffington Post. Wil Wheaton, Chuck Wendig, and Porter Anderson all have great posts about this issue.

This conundrum doesn’t just pertain to writers, but to artists in general, with artists being more vocal about deserving better pay – Taylor Swift pulling her music off Spotify, Ally Burguieres demanding reimbursement for Taylor Swift’s use of her artwork, or hula-hoop performer Revolva turning down an unpaid opportunity to perform on Oprah’s tour.

We Need Exposure….and Pay!

It’s the way of the world. It’s been the way of the world, and it’s only increasing. Exposure is important. All artists need exposure to live. But we don’t just need exposure to live. We need pay too. We need food on the table and a roof over our heads.

Plumbers and scientists and doctors and teachers and engineers, they all need exposure to live too. If no one knew about their skills or reputation, they wouldn’t be hired and they wouldn’t make it very far. But they still get paid. They still need paid.

What Can Artists Do?

You need exposure: That’s what Marketing and Brand and Advertising is for. Work for free if you want, but let it be on your terms. When you offer free. When you’re not being asked by a highly profitable company to work for free. Don’t give in and work for free, because “you have to” or because “that’s the way the world works.” Stand your ground for artists everywhere.

What Can EVERYONE Do?

Stop supporting the system. The system that says artists have to work for free to be truly authentic. Bullcrap!

Consider boycotting Huffington Post, now that you know the problem. Speak up about it being a problem. Many don’t know. Don’t share or Retweet or click the Huffington Post links that are exploiting writers for their own gain. Don’t perpetuate the cycle. Huffington Post can’t survive off of unpaid labor if no one supports their site any longer.

Most importantly: Stop with the Huffington Post mindset!

  • Stop assuming you can get free labor from artists.
  • Stop asking for them to write, edit, design, draw, paint, play music, or perform for free.
  • Even friends. You have artist friends, great! That doesn’t mean you get free stuff, that means you should support them in their art – pay them for their work, and I’m not talking about buying them a coffee (although coffee is a nice bonus!)My sister is a cosmetologist – I don’t ask her to work for free though; I pay her MORE than my usual tip, because I especially support her work. I want her to prosper with her talent!
  • Artists, walk the talk – don’t ask for free labor from other artists when you know you hate that.
  • Maybe your artist friend offers to help you for free – AWESOME! That means they’re willing. Don’t ask for free, but of course you can accept a free offer.Here’s the kicker then though – pay them in exposure. Brag on them, share their work, give them exposure so that they can get paid the next time around. Anytime I receive free assistance from an artist who offered, I try to remember to post their work on social media, tag their website, mention their expert work. Because artists need exposure too.

Always pay an artist – at least with exposure, but preferably with money as well.

We can stop this cycle. We can pay the artist what they’re worth. We can stop expecting free handouts. We can demand what we’re worth and plan to pay a person what they’re worth. We can refuse to profit off of exploiting another human being.

Let’s not be Huffington Post; let’s be better.

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for the Bookworms, for the Writers

The Problem with Used Bookstores

Used bookstores. The elitist book-lover’s nook.

Libraries or Barnes N Noble or (God forbid) Amazon is for novices. Used bookstores are the bibliophile’s home of choice. The smell of the books, the cats roaming the stacks, the treasure hunt for some undiscovered antique or classic. It takes dedication.

I too love the atmosphere of a nice used bookstore. It’s exciting to seek out local book haunts.

So what’s my beef with used bookstores?

Authors receive no cut from the sale of used books. I’m a fan of authors. I want them to succeed and keep doing what they’re doing. I love them so much I plan on being one as soon as I’m able. So despite the wonderful atmosphere of a local used bookstore, I can’t regulary purchase books there without a shred of guilt.

Authors should be paid for their work. That is why I try to buy books new. If I love a book, I recommend it to a friend, or even gift it. Of course I still check out a used bookstore and give an unknown book a try – but I suggest making it a point to buy new books every now and again – support the system. The world needs more readers – so used bookstores are great to introduce unknown books to prospective fans. But readers should support their authors – especially the most-loved ones, but authors in general as well.

Note: Yes, I am aware that the astute reader will recognize this as a veiled plea for you to one day give me money 🙂

What say you?

Do you prefer online shopping, barnes n noble, libraries, or used bookstores? Why?

for the Bookworms, for the Writers

The Problem with Free E-books

 Free E-books. It’s quite a wonderful concept that a debut author makes an e-book available for free in order to pique a reader’s interest and gain readership. At least that’s what I used to think. Then I read about 20 free e-books – some not-so-good and some quality. I still hated it.

The Problem

The author needs money for their work, I get that. The author needs to leave the reader hanging at the last sentence of the first book, so the reader feels the need to purchase the second. And so the story builds to the climax – and then ends. No grand finale. No resolution. Just the cliffhanger. The second book presumably leads to the conclusion the reader awaits. Think the style of “Inkspell” or “Catching Fire” ending abruptly in the climactic moment, then “Inkdeath” and “Mockingjay” respectively concluding the story. The difference here being that this free e-book is likely the first story read from that author. We as readers are still evaluating the author, on if he/she is trusted with our emotions and worthy of our time. And to suddenly be dropped at such a moment, I lose confidence. Because it’s one thing to write a great beginning and a great middle. The mark of a great author though, is a great resolution. So I’m wary to spend my money in hopes of a great resolution when I don’t know the author yet.

My Solution

And that’s my dilemma with free e-books. As a writer, I don’t want to do that to readers. But I also think that a free e-book is great marketing if I can convince readers to purchase that my writing is worth their money. In a hypothetical future, I could see myself potentially publishing a free e-book short story to lead into a purchasable novel. But asking a reader to invest in a full-length novel with no resolution is personally devastating. I also would consider the first book in a series, complete with a resolution, as a free e-book – and then including a sneak-peek into the second at the end that leaves the reader hanging. But I think there needs to be a resolution for the reader’s first introduction to an author.

What about “The Selection?”

The Selection This brings me to “The Selection.” I purchased “The Selection,” put down good money and trusted the publicity, readership, and – let’s face it – the cover, that this would be worth every penny. Then this book did not have a huge conclusion, other than knowing that the next round of the Selection was starting. Wasn’t even a free e-book and it left me hanging. Though I had yet to read a great resolution from this particular author, I was so hopeful that I purchased “The Elite” and “The One” together. Thankfully, I was not disappointed. Great job bringing it all together! I still wish there was a little more conclusion to the first, but in case you were wondering, it is totally worth the risk here. The political intrigue escalates, which is what I was really hoping for, that it would overpower the romance drama. And I go back and forth on who SHOULD end up with whom, as well as who WILL end up with whom. And the resolution is both satisfying and believable. So that’s my plug. Kudos, Kiera Cass.