for the Writers

In Defense of Ghostwriters

Awhile ago Olivia J. guest-posted on my blog about concerns with the idea of ghostwriters, while I posted my defense of ghostwriters on her blog.

Check out Olivia’s reservations about ghostwriting, and then see why I think ghostwriting has an important place in the literary universe:


What makes ghostwriters the bomb-diggety:

Ghostwriters aren’t quite ghosts, sadly. But they’re still more or less supernatural in their capabilities! They’re the undercover secret agents of the writing world. The trained, the elite, the you-never-saw-it-coming – the ghostwriters 🙂

  • Us regular writers take years of writing to find our own voice
  • Ghostwriters are shapeshifters, finding the unique voice of each person they are writing for


  • Us regular writers mostly write something we’re passionate about
  • Ghostwriters use a magical spell to transfer your passion into their words. Your passion is infectious and as it seeps into them, topics or stories the ghostwriter may have never been passionate about are suddenly passionately written! Teamwork 🙂


  • Us regular writers might be considered semi-narcissistic – speaking of myself here mostly 😉 They devote their life to making their own dreams come true
  • Ghostwriters are fairygodmothers, passionate about devoting their lives to making others dreams come true. How cool is that!


  • Us regular writers are clumsy and walk into doors and walls and lampposts
  • Ghostwriters are also clumsy, but at least they float right through the objects. Or wait, is that just ghosts?


Why readers should care about ghostwriting:

Readers should be ecstatic to support the existence of ghostwriters. Not only do ghosts make for great stories, but *ghostwriters* make for great stories. More quality stories will exist for readers when non-writers choose one of these three options:

1)      share their story in a medium they’re skilled and passionate in

2)      have the passion and take time to gain the skill of writing before putting the story out there

3)      hire a ghostwriter to marry their passion and knowledge of the content with the ghostwriter’s passion and skill for writing


The problem with ghostwriting:

Now here’s the horrid part about ghostwriters – as awesome as they are, they don’t get the credit. Hit the NYT bestsellers list, win the Pulitzer prize, get a movie deal – everyone applauds the author (the person who hired the ghostwriter.) The ghostwriter is, well, ghosted. They generally can’t even say they wrote it, because they *officially* didn’t.



So why does the person who hired the ghostwriter get to be the author? Why do they get credit?

Ideas are a dime a dozen. Scratch that. Ideas don’t cost a thing, in fact, us writers can’t turn them off. So no, a ghostwriter isn’t needing the idea from the author. But what we call the author, the person who hired the ghostwriter, they contribute much more than the idea.

The person called the “author” is in fact the author because it’s their brainchild, their knowledge, their story, their platform, their audience, their marketing, their voice, and their passion.

The ghostwriter alone generally won’t have all those things to get the book into the world as the book actually is. If the ghostwriter alone wrote the book, it may miss the knowledge of the topic or the direct experience with the story. Maybe if the ghostwriter alone wrote the book, it wouldn’t reach as large an audience. Maybe if the ghostwriter alone wrote the book, it wouldn’t have that unique voice, style, or tone. Maybe it would just lack passion.

So on that note, mad props to the author for making all this happen!


How to fix the discrepancy:

I get it. The author deserves a lot of credit for making this book happen. And also, the ghostwriter deserves a lot of credit for making this book happen. It takes two. It most definitely takes great skill for a ghostwriter to take all the author has to offer and turn it into a quality book. And it most definitely takes the author to make the book happen in the first place.

Here’s my proposal, the main thing I’d change about the concept of ghostwriting to give proper credit:

On any ghostwritten book, have the front cover say “Written by [name of supernatural ghostwriter person], Directed by [name of person who had the vision to make the book happen]”. We already do this for movies: listing actors, directors, producers, and all myriad of workers in the credits. Just do that for books with ghostwriters too – give them some credit for their kickbutt magical powers 🙂


What do you think?

What say you? Do you think ghostwriters as an entity should just be called “authors”? Or do you think ghostwriters have their place in the literary universe hidden behind the scenes? Share your thoughts in the comments, check out Olivia’s counter-argument, and join the convo 🙂


for the Creatives

When to hire a ghostwriter

In my class Do You Have a Book in You? I don’t coddle. Just because you’re taking the class doesn’t mean you automatically get the “YES, you should write a book!” answer.

Some people have a story but not a book. They don’t have a passion for the writing; they have a passion for the message, the story.

If you fall into that boat – the “have passion for a story, but not passion for writing” boat – then ask yourself these questions:

  • If writing isn’t your dream, are you willing to devote time and energy to writing a book instead of devoting that time and energy to your actual dream?
  • Since you likely aren’t trained in writing since it’s not your passion, are you willing to sacrifice quality in getting your book out there – sacrificing the number of readers and the impact of the message?
  • Alternatively, can you devote the adequate time, effort, and income to receive the training necessary to clearly communicate the story you want to tell with the quality it deserves?
  • If you do choose to devote time, energy, and income towards receiving training on writing, are you willing to chance diluting the passion of the message with the obligatory monotony of a medium you aren’t passionate about working in?

If you answered “No” to these questions, take a moment to consider hiring a ghostwriter. There are options other than hiring a ghostwriter of course: Telling your message in a medium you *are* passionate about, but that’s a whole ‘nother blogpost – or actually, it’s a 30-minute online course of mine that you can take for free 😉

If you decide, “Yes, I must have a book out there, but no, I can’t write it,” then don’t devote time and energy to writing; instead devote some finances to hiring a ghostwriter. In a couple weeks, I’ll talk about the awesomeness that is the supernatural ghostwriterly world. Keep an eye out for it 🙂

for the Creatives, for the Writers, Showcasing other Creatives

Guest Post: How Ghostwriting is Hurting the Book World

Olivia J has agreed to share her concerns about ghostwriting here, and you can check out my defense of ghostwriting on her site. What a fun collaboration ❤ Read the posts, then join the convo 🙂

“The role of a writer is not to say what we can all say, but what we are unable to say,” -Anais Nin
The picture that started it all:
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This launched me and Amy L Sauder into a debate on ghostwriters, so here we are. 

Ghostwriting, or, more generally, ghosting, is not a new concept in the art world. Even Mozart himself was paid to ghostwrite music for wealthier, more famous men of his time. This process involves Person A creating a work, or even doing a varying amount of collaborating on a work with Person B, but then Person B getting credit. Sometimes this includes Person A’s name in smaller print on the front of the book, or not being included at all. Regardless, ghostwriters are paid for their work.

However, I have some criticisms, as per usual.

(For clarity, I’m going to be talking about ghostwriting concerning books.)

1. Exploitation of the Ghostwriter

Sure, ghostwriters consent to what they are doing. However, it still takes an amount of . . . castration to get very little or no credit on something you worked on. It strips away the integrity of the author. By no means am I talking about truly collaborative works, where two authors write a book together because that’s an entirely different process than ghostwriting. 

How ghostwriting exploits the author is that it takes away the beautiful creative control of the author: it strips the author of what they do best. By having a shadow, by having someone to always answer to, this confines the author. It confines the author even further because these authors sign contracts to write so many books for someone, or to have certain requirements when they write. There’s nothing more hellish that I can think of than putting a cap on the creativity of writing, by controlling and stifling an author. 

Don’t get me wrong, ghostwriting can be a way to launch the author into the publishing sphere, but rarely do I believe that that’s all an author should aspire to be. 

2. All About The Money

The problem is that by slapping a popular name on the cover, it appeals to the pervasive consumerism and fame obsession in this society. By having ghostwriters, it allows famous people to sell books, regardless of whether they are telling good stories. It only adds to the tasteless, bland array of fiction. James Patterson has so many books out because people pick the book up with his name on it and expect the same thing. Name recognition or fame should not sell books, even though publishing has become a toxic industry. 

FullSizeRender (10)The reason that authors like Clive Cussler, Tom Clancy, etc. use ghostwriters is because of the high demand for their books. Or, rather, the types of stories they tell. This only indicates that these books sell because they have their names on them, not because of the title, cover art, or actual content inside, which is absolutely despicable. The promotion of ghostwriters only promotes writing as a business, not an art form. There should be a happy medium between the business of bookselling and writing as an art, but ghostwriters are not the way to achieve that goal. In fact, ghostwriters only push the flow further into the toxic business sphere. 

3. Cheapening of the Craft


Sure, everyone can write a book, but maybe not well. This is not to discourage anyone from writing a book if they so please. But what ghostwriting does is that it cuts out a significant chunk of the struggle, the art of writing. 

People like Kendall and Kylie Jenner, Zoe Sugg, and other celebrities don’t write a significant chunk of their books; however, they can still claim to be an author of a book. It takes all of the blood, sweat, and tears out of writing. Every ounce of pain, of late nights you’ve spent writing, every blank page, every scrapped draft all becomes for naught because someone who only pitched some ideas for a book is now credited as an author. 

Another problem is that celebrity (fiction) books combine two types of people: writers and non-writers, and this can create disastrous results. Sometimes, what the celebrity/non-writer wants to create or wants to happen isn’t exactly good concerning the objective parts of fiction. This leads to books on the shelves that aren’t the best they can be. Art should always be about making the best the individual can get, always improving. But by allowing half-assed work on the shelves just for money only cheapens writing itself. 

By allowing ghostwriting to populate the scene, it almost degrades the hard work and art that others create, just because someone had enough money.


Granted, there are exceptions. Autobiographies are one, because biographies are more of a historical account than a creative work. Biographies, and other nonfiction, don’t conform to the same genre conventions that art or novels do, which is where the problems arise with ghostwriters and books. 

Maybe I would consider ghostwriting, just for the money. But never, under any circumstances, would I make that my career or the only creative work I was writing.

Tread lightly, fellow authors,

~The WordShaker

Screenshot 2017-06-02 at 8.08.52 PM

Olivia J, The WordShaker is just that: a word shaker. She is a writer, artist, creative extraordinaire, and skilled in the ways of procrastination and being too blunt. She’s going to be a loving wife, mother, published author, speaker, and professional adventurer someday – and whatever else God has in store for her. Olivia has had three short stories published in her high school’s writing journal, and received merit awards for her art in numerous art shows, started and fosters her own creative writing club at her high school, and plans to go to the Savannah College of Art and Design.

Social Media Links:

Instagram: @olivia.j.the.wordshaker

How awesome is this Wordshaker!? 🙂 What do you think about ghostwriting? Does it add or detract to the literary world? Check out my Defense of Ghostwriting on her site (don’t forget to follow her while you’re at it!), then join the convo in the comments below.

for the Writers, Musings of a Creative

Why Writers Won’t Pay for Your Idea

Excuse me while I burst your bubble.

You hear someone’s a writer, throw your idea for a book at them and say, “You write it, we’ll split the profits.” Or maybe you have a writer friend and give them an idea to add to the story then ask how much of the profits they’ll give you to use it.

Either way: big no-no. Do NOT insult a writer by trying to find out how much money you’ll make from them. Maybe you’ll be lucky enough to be mentioned in the Acknowledgements section.

You know why?


Say that with me: EVERYONE.

Writers aren’t looking for ideas. We’re looking for time to write down all the bajillion ideas we have. You don’t get paid for having ideas, you get paid for implementing them. The idea isn’t copyrighted, the physical manuscript or electronic file is.

Even if a writer uses your idea, you don’t get paid. In fact, everything a writer has written is gleaned from ideas they gain through living their life with many many people, and they just can’t pay everyone when they hardly get paid themselves.


To publish your idea, you have two choices:

1) You can write the book yourself. 

Don’t worry, there is a second choice.


2) If you want someone else to write your story idea, you actually can. It’s called a ghostwriter. You *pay* them – that’s right, they don’t pay you, YOU pay THEM – for their time, energy, and talent. They don’t need an idea, but you need a writer.


I know, it sucks, the thoughts of you kicking back, relaxing, and watching the money roll in from a book-to-film bestseller…..but alas, it costs first, either your time & energy or your dollars.



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